James Bridle is a British artist and writer based in Athens, Greece.Read full Bio
Through Non-Human Eyes
The steadiness and endurance of the camera’s gaze produces the strong sense that the camera is something other than an extension of the eye: it is a sensor, a monitor, a machine for being with and in the world.
Paolo Cirio is a conceptual artist and an activist that engages with legal, economic and semiotic systems of the information society.Read full Bio
Photography of the Internet extends to unprecedented social fields and challenges of social norms for questioning cultural, economic and ethical values of photos circulating within the networks.
Andrew Dewdney is a research professor at London South Bank University whose current research is focused upon the intersections of art, media and technology.Read full Bio
The University of YouTube: the medium, the user, photography and the search for really useful knowledge.
This short text is the result of an attempt to understand photographic theory by YouTube, which took the shape of an online errand of forking paths, full of interesting digressions, leading of course everywhere and nowhere.
Visual artist, computer programmer and data activist. Lives and works between Brussels and London.Read full Bio
“The cat sits on the bed”, Pedagogies of vision in human and machine learning.
Our shares and likes, our annotations and social metadata are training a generation of AI agents. Everyday, we are already all teaching bots and algorithms how to look at images. If we consider the extent of our relationship with algorithms, we realise the magnitude of the effort of teaching and learning that is taking place.
Alan Warburton is an artist, animator and researcher whose work critically reflects on CGI software culture.Read full Bio
Bursting The Filter Bubble of Photoshop Tutorials
As an artist using 3D animation software, much of my work comes in trying to introduce noise, dirt and detail into sterile, mathematically derived images. CGI wants to be photographic. Conversely, Adobe Photoshop is anchored to the photographic realm but strives to efface it.